Thorne | December 19, 2008 | 2:17 am
Ok. So I’ve had this stuff forever. I played with it a bit a few years ago, but being used to wheel thrown pots and large handbuilt clay sculptures, it didn’t really float my boat. But I got it out (right before we got snowed in… phycho? Err… psychic??) and then inspiration struck. This is my first try at sculpting in this medium, let alone something so small. She’s only about 6″ tall. I’m loving her. She’s celebrating the return of the Light (*Winter Solstice being the longest night of the year, many pagans celebrate it as The Return of The Light, since the days start getting longer again.)
I’m using my waste clay on an armature of copper wire and aluminum foil. I need to bake her once (outside… baaad fumes for birdies and other living beings), and then I’ll add a flesh colored clay and stuffs. Oh, yeah. She needs a needs a head and hands, too!!!
Too much fun!


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Thorne | November 25, 2007 | 5:58 am
I had never seen this before, and the photographer had no background information. So after reading through the comments on Flickr, someone who lived in the area was able to provide a few more details. And another user found the link to the artist’s website.
this is in the cemetery at mount macedon, victoria
it is about 80km west of melbourne or something like that
it is the grave of a guy, and his wife commissioned this sculpture for it as an expression of her love for him
Artist: Peter Schipperheyn, born Melbourne Australia 1955- Title: “Asleep” carved 1987 Dimensions: 460 mm in height by 2020 mm in length by 800 mm in depth [life-size figure]. Medium: Carrara Statuario Marble . Present location: Mt Macedon Cemetery, Mt Macedon. Victoria.
the gravestone IS amazing…the detail and the pose are both provocative and disturbing at the same time. The way her hair is spread out and her right hand gripping the edge is so incredibly realistic! What a wonderful piece of work.
the gravestone by itself. the perspective of this, along with all the other ordinary gravestones is just amazing. the contrast between the feminine curves and the rectangular edges is so stark and stunning
Sad, yet amazingly beautiful. I’ve never seen anything like this before
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